What is Asia?
Isaac Neo
Is the twenty-first century an Asian one? According to former Singaporean diplomat Bilahari Kausikan, this is entirely the wrong question to be asking.
Is the twenty-first century an Asian one? According to former Singaporean diplomat Bilahari Kausikan, this is entirely the wrong question to be asking.
This is what you have to do to navigate life in Vietnam: accept that things are precarious and constantly vulnerable to change.
Rather than imposing a narrative or privileging the human perspective, Jeanne Penjan Lassus’s works attune to the rhythms, temporality, and micro-activities of a place—observing plants, animals, and environmental shifts with patience and openness.
In Singapore, Chinese street opera survives not through preservation alone; it also requires constant recreation and regeneration.
I strive to become someone breaking my back to harvest something better. A way to be home with my loved ones.
DELAY: A Comics Anthology is a timely salve in an era where artists are facing an existential battle against artificial intelligence and digitisation.
A short story by Sasti Gostama, translated from Indonesian by Awi Chin.
The publication of The Albatross File: Inside Separation is very welcome for those with an interest in the Singapore story—though less for the hitherto secret documents it reproduces and more for the hitherto secret oral histories.
Arnold Is A Model Student shines a light on an unfair system, challenging the notion of what it means to be a “model” within such broken structures.
In Singapore, queerness is considered an aberration—it jams up the works, causes panic and confusion. Numerous accounts of in-person discrimination support this, especially when it comes to hair.
Casimiro Villas Jr lost everything in Super Typhoon Haiyan. Years later, he finds that family can be rebuilt not from blood, but from grace.
A short story by Liv.
Chan Eng Thai the man may steel himself against disappointment by adopting the pose of a fatalist, but Chan the poet wields his words with a vigour that stubbornly defies the fading of the light.
A poem by Ryan J.M. Tan
The Myanmar military hopes that an election will give their rule a veneer of legitimacy, but a vote largely rejected by the people as a sham will hardly soothe tensions.
The story of Philippine music post-Marcos is not one of political liberation but of a transition from the chains of censorship to the cushioned shackles of commercialism.
Ferdinand Magellan was a famous explorer, but Diaz makes it clear that his film isn’t some graceful portrait of the man.
There’s poignancy in the idea of artistic ambition sacrificed for something as fundamental as war. And Myanmar embroiled in civil war, it’s perhaps only natural that poets, like many of their countrymen, have taken up arms.
A short story by Ruhaini Matdarin, translated from Malay by Pauline Fan.
A trip across Timor-Leste turns into a lesson on its history, its people, and its hope for the future.
In Aceh, hip-hop is more than just a genre; it’s also an opportunity to express pride in one’s homeland and pay homage to tradition.
Street cries in Vietnam are more than simple calls of commerce; they form an urban soundscape—a way of sensing time, place, and season.
The documentary Araro Ariraro traces the history of Tamil plantation labour in Malaysia through folk songs.
A short story by Ratu Yousei.
An idealistic and highly personal approach to foreign policy is what sets Tommy Koh apart from many of his fellow luminaries in Singapore’s diplomatic sphere.
Cybercrime is a big business, and some of its leading perpetrators are playing a cat-and-mouse game with the authorities in Southeast Asia.
Indonesians were already furious at their government, seen as out-of-touch at a time of economic hardship. After an armoured police vehicle ran over a young delivery rider, they became unstoppable.
Meeting with Pol Pot adds to Rithy Panh’s resume as the most prolific maker of films about the regime that took his family and terrorised his country.
Returning to politics, Leila de Lima says, is the only choice if she wants to keep fighting for justice, the rule of law, and truth.
By writing poetry from death row, Pannir Selvam Pranthaman sets out to prove that he’s more than just a condemned prisoner.
A poem by Pannir Selvam Pranthaman.
Claudia Krich’s Those Who Stayed: A Vietnam Diary is an invaluable primary source for those studying regime change, documenting firsthand the disintegration of the South Vietnamese government and the coalescence of a byzantine military administration in its wake.
A short story by Justina Lim.
The exploration of a character’s sexuality in Tash Aw’s latest novel has triggered backlash among conservatives in Malaysia, but pushing back in today’s fraught times is itself a complex undertaking.
How does one love a world that is increasingly fractured? A reflection on curating at Objectifs and participating in the artistic projects by Chu Hao Pei and Arie Syarifuddin in Singapore.
An encounter in Penang with a man named Kelvin D Loovi, who tells a story about his blue guitar.
Playing with nationalism is to take part in a risky game.
Stephen Simmons has produced an important record, with a wealth of historical information, that highlights the work of artists during the Sangkum era.
An exhibition in Pattani brings art collectives from three countries together to create dialogue on communal work and solidarity, encouraging people to look beyond stereotypes of Thailand’s deep south.
A look into the lives of Vietnamese workers in Myanmar’s scam centres.