Summoning Saigon’s musical past
Michael Howard
A conversation with Saigon Soul Revival, a band “on a mission to bring back the raw, live sound of 1960s and 1970s Vietnamese rock and soul music”.
A conversation with Saigon Soul Revival, a band “on a mission to bring back the raw, live sound of 1960s and 1970s Vietnamese rock and soul music”.
In the face of funding cuts and growing oppression, Cambodian reporters cling on to hope through memories of a golden age of journalism.
The Miss Universe franchise has been dismissed as a chauvinistic relic, but Thailand’s long-standing fixation with such pageants suggests that there are deeper implications.
Far from dismal or desolate, Lingga mornings reveal the everyday intimacies borne through connections near and far.
Waves Rising beautifully commemorates Ho Poh Fun’s life’s work, perhaps feeling like it needed to smoothen out some things bubbling just under the surface.
A comic by Juliette Yu-Ming Lizeray, reflecting on her shifting relationship with hope.
Banning books might bring the Malaysian government short-term political gain, but this restriction of access to different perspectives could have serious long-term repercussions.
On not coming to terms with the past in Indonesia.
Dina Zaman brings a lot from her past to Malayland, but she’s also firm in looking forward and seeking the humanness in Malaysia’s obsession for categories and othering.
A historian journeys to České Budějovice in Bohemia in search of the archive of Filipiniana left behind by Ferdinand and Friedrich Blumentritt.
David Graeber’s notion of “total bureaucratisation” isn’t just a fitting analytical tool for global contemporary life; it also mirrors, with uncanny accuracy, the paradoxes of Singapore’s cultural policy.
A poem from Domar Batucan Recopelacion
Two group shows staged in Bangkok question mainstream Cold War narratives through contemporary art.
When families affected by extrajudicial killings in the Philippines speak and shed tears of sorrow and anger in front of legislators and flashing cameras, they’re finally able to transform shame into outrage.
Khieu Ponnary, once called the “mother” of the Khmer Rouge, had seemingly vanished from history while the regime was at its height.
Andrew Lam had never set out to be the preeminent chronicler of the global Vietnamese diaspora, but realised that “when I spoke up for those that couldn’t, I found my tongue”.
Dorothy Wai Sim Lau undertakes a nuanced interrogation of how fame, altruism and regional identity intersect in Asia’s transnational mediascape.
Rebecca Toh, the founder of Casual Poet Library, on carefree wandering and taking one’s time.
Publishing in Cambodia is still a fledgling, fragile industry, but it’s growing fast.
A review of two books on finding—or perhaps ‘freeing’ is a better word—one’s voice through acts of creation, whether it’s prose, poetry, painting, drawing or cooking.
“Apart from illustrating how invested the authorities still are in shaping the official story of Vietnam’s wars of liberation, my experience at Thế Giới also revealed an almost religious faith in the power of the written word.”
Did the man who inspired a character in Joseph Conrad’s novels leave behind a fortune in a Swiss bank?
In a new banner by Taring Padi and Noongar artists, the Noongar figures and Australian fauna and flora integrate with images from an rebellious Indonesian proletarian class in a bold synthesis, creating a dream-like, political logic.
Luise Ahrens, a Maryknoll nun and education innovator from the US, worked with seismic stamina for twenty-six years to build up higher education in Cambodia.
Young people from Myanmar are being forced to choose between survival and service in a conflict they had no say in and strongly object to.
A short story by Lia Tjokro.
A poem from Julienne Maui Castelo Mangawang
Singaporean actor Lim Kay Siu on the differences between acting in Hollywood and in Singapore, the power of theatre to raise public awareness of important issues, and getting political on live streams while playing a ukulele.
We’re all just finding ways to relieve the anxieties of living in a world that’s spinning out of control.
Scenes and reflections from Bohol.
Lieutenant Colonel E.D. Murray—“Moke” to friends and fellow officers—knew nothing about Cambodia, but for a few brief weeks towards the end of 1945, he was, in his own words, its “uncrowned king”.
Both Patricia Evangelista and Neferti X.M. Tadiar’s books question what it means to be human. While some are valued because of their contribution to capitalism, those who are less productive in the profit-making sense are treated as disposable.
Beyond the reality of family relationships, How To Make Millions Before Grandma Dies paints a portrait of Thai Chinese culture that’s at once singular and relatable.
Despite having held a number of important portfolios as a minister in the city-state’s early years, S. Rajaratnam’s legacy remains largely obscured in Singapore’s public imagination.
Instead of asking what is or how to be one’s authentic self under capitalism, Peripathetic is curious about whether capitalism leaves us with any room for authenticity at all.
The lesson in Ganapathy’s book is salient and applicable to societies beyond Singapore: working class ethnic minorities disenfranchised by dominant societal structures often find themselves enmeshed with criminal justice institutions.
For a relatively slim volume, Lio Mangubat’s Silk, Silver, Spices, Slaves: Lost Tales from the Philippine Colonial Period, 1565–1946 covers a broad swath of Philippine history.
A poem by Leigh Doughty
The adoption of chữ Quốc ngữ, the Vietnamese alphabet that has officially been in use for over a century now, was a notable part of Vietnam’s effort to pull itself out of China’s orbit.
A poem by Alvin Larida, translated from Kinaray-a.