Child of Heaven
Lý Văn Sâm
A short story by Lý Văn Sâm, translated from Vietnamese by Ryan Nelson and Khanh Hoa Le.
A short story by Lý Văn Sâm, translated from Vietnamese by Ryan Nelson and Khanh Hoa Le.
A piece of flash fiction by Linda Collins and Noelle Q. de Jesus. Commissioned as part of a collaboration between RMIT’s nonfiction/lab and Mekong Review.
The arts can remind us of our connections to home and nature as we are propelled forward by development projects that prioritise profit over nurturing rootedness and well-being.
In short vignettes, Y-Dang Troeung gives a compelling account of the journey which brought her family from Cambodia’s Kampong Thom to white rural Canada, beyond the feel-good newspaper headlines.
Bali is home to a thriving community of local artists with international pedigrees, all actively working from the island, opening their studios to visitors and fostering a local art community.
The Second Link curates writing that moves beyond the “exhausted metaphors and dusty tropes” of the longstanding rivalry between Malaysia and Singapore.
Susann Pham’s Vietnam’s Dissidents is a bold piece of empirical work and a welcome and timely addition to the literature on contemporary Vietnam.
Poetry from John Brixter Tino
The twenty-six films screening in Retrospective: Wang Sha & Ye Feng are a testament to the legendary comedians’ breadth both as solo performers and a beloved pair.
bani haykal’s work embodies durational labour, culminating in serial ruminations on topics that keep him awake at night—capitalism, environmental protection, widening inequality divides.
A short story by Marbin Gesher Jay S. Deniega.
Living in Indonesia most of my life, I’ve always felt that I might be visibly ‘too Chinese’. In fact, Indonesia’s tricky relationship with its ethnic Chinese population began all the way back to the Dutch occupation.
In Southeast Asia, the short story has perhaps been more significant than the novel: it is portable, more easily translated and it also migrates.
In the two novellas, journeys depart from or hope to return to “an eastern port” (Singapore) but instead they both disappear into the obscurities of the seas.
Like a magnificent tortoise, my aunt, the long-time Singaporean activist Constance Singam, ambles towards us to meet my children for the first time.
Both Oasis of Now and Tomorrow Is a Long Time are meditations on love, time and space.
In Maymyo Days: Forgotten Lives of a Burma Hill Station, Stephen Simmons does not dwell on the crusty stragglers of the Raj. He chooses to focus on those who made a lasting contribution of some kind, whether tangible, cultural or political.
Climate activists are still stumped by the question of how to ensure that public power results in real, meaningful change. At the same time, the climate movement is setting its sights further than ever.
Street 200 in Phnom Penh is where people come together with a common passion for cinema.
Touching that sensitive Cambodian topic of land ownership and dispossession, Further and Further Away questions the nature of relationships entertained with the land.
A short story by Damhuri Muhammad
The Indonesian film industry is often underrated and overlooked, but Timo Tjahjanto is one of its directors to have attracted international attention for his work.
What unfolds in Pulp III: An Intimate Inventory of the Banished Book is Shubigi Rao’s documentation of her encounters with texts in varying formats that, at some point in the past, confronted ‘banishment’.
Set in Singapore, catskull is a “neo-noir thriller meets coming-of-age mystery” that explores the violence of the city and the many forms that it takes: physical, racial, institutional.
Noise can be a powerful tool of protest but also healing, its cathartic value directly correlated with its loudness.
One does not need to understand communist ideology to become a member of the Communist Party of Vietnam. “All you need to do is to pass their test,” said one state employee.
Tracing a Khmer-language dictionary’s trajectory across the past century of Cambodian history offers insights into the ways language has been called on to construct—and to challenge—notions of national identity and community.
What sets Rachel Heng’s historical fiction apart is how she moves beyond this understanding of History (with a capital H) by showing how grand events are mediated by everyday interactions.
A poem by Jeric Olay.
A poem by Jeric Olay.
It had been four years since I last returned to Hanoi. I told myself that I’d never loved this city I had wanted to escape. But time may have helped heal old wounds.
Law-Yone’s penchant for the telling anecdote, the observation of, and connectivity to, the seemingly incidental, and the insight into the public and private personality makes this book a seminal contribution.
The Anjaree Archive preserves material collected over the decades by one of Thailand’s first advocacy groups for gender and sexual rights. But can an archive also tell the story of its own messy creation?
In Now You See Us, Balli Kaur Jaswal has created a social world that magnifies the indignities and frustrations of everyday life as a migrant domestic worker in Singapore.
Our growing Thai family, now into its fourth generation, has given us plenty of smiles and laughter… and outbursts of anger and stubbornness and exasperation.
This could be After The Inquiry’s intention: to rile us up and stir a sense of indignation at a system in which the truth might not win out over politics and power
Prism of Photography is an attempt to challenge the fixity of historical account, specifically the 6 October 1976 massacre at Thammasat University, through images.
Could distance runner Soh Rui Yong’s absence from Singapore’s national team point to something bigger about how things work? He thinks this could be a “good opportunity” to ask questions.
I’ve often come to forks while travelling. Do I stop where I had planned to arrive, or do I keep going? Maybe if I go on a bit further, I might find something I have never quite seen, in quite the same way, before.
Mae Sot, Thailand, provides the anonymity a Burmese peace activist needs, although not without guarded boundaries and precarious undercurrents to navigate