The Word Museum
Damhuri Muhammad
What if politicians had to be confronted with all the words they’d threaded into false promises?
What if politicians had to be confronted with all the words they’d threaded into false promises?
A poem by Cassiopeia Gatmaitan.
A poem by Maung Htike Aung.
In his films, Singaporean director Daniel Hui seeks out peripheral figures, tending to them with the kind of attention usually reserved for prominent historical figures.
With little transparency, top-down literary censorship in Vietnam is complex, capricious and contingent upon those implementing the ‘rules’.
Politics, memory, love, obsession and death… all can become fertile material for a writer like Veeraporn Nitiprapha.
The works featured in Joanne Leow’s monograph, Counter-Cartographies: Reading Singapore Otherwise, are examples of (mostly) Singaporeans who refuse to conform to top-down formulations of how to live on this island.
How did the Philippines descend into a demagogic dystopia? How can one explain the rise of the proto-fascist ideology of Dutertismo? And what are the lessons for democracies in the twenty-first century?
Americans like to think that the most cruel excesses of colonialism are reserved for the histories of the British or the French, but Kim A. Wagner draws connections between American behaviour in the Philippines and the tactics of other colonial powers.
Not many Vietnamese books keep track of the experience of living under suffocating communism in the North or keeping up with the get-rich-quick sentiment dominant in the South. Thuận’s Elevator in Sài Gòn captures this with nuance and peculiarity.
An interview with the founder and director of the Ubud Writers & Readers Festival
The Buddermokan shrine in Sittwe is said to have been built in 1756. It has since survived colonialism, war and Nature—a stubborn relic of history in a hostile environment that wanted it gone.
When rising sea levels threaten to submerge the gravesite of his father, a young man is forced to return to his hometown and confront the dilemma between honouring his father’s dying wishes or to give in to nature.
Amid Southeast Asia’s array of noodle dishes, bak chor mee doesn’t have the exalted status of pho or pad thai. Nevertheless, it’s a beloved staple dish consumed by Singaporeans, and even became a political statement once.
When Witit Chanthamarit was a child, independent bookstores were not the rarity they are today. In opening Vacilando, he hopes to recapture the sense of community he’d felt before.
Bertil Linter’s book on the Wa isn’t merely a fascinating look at a little-penetrated hermit kingdom; it’s also a case study of how China manipulates the politics of its border zones in pursuit of global ambitions.
In Vanessa Chan’s The Storm We Made, a family is undone by a secret betrayal during the British and then Japanese colonisation of Malaya.
Over a quarter of a century, Malaysiakini grew from a scrappy start-up to a Malaysian media institution. In some ways, to know the history of this news portal is to know the history of modern Malaysia.
Clare Hammond, author of On the Shadow Tracks, did not love the trains she rode. But her exploration of Myanmar’s dilapidated tracks reveals the link between the railways and the military’s power, while documenting the lives on and around ramshackle trains.
A poem by Alyza Taguilaso
A letter to a friend, on thoughts of ‘home’ prompted by the Thai dream-pop duo, HYBS.
Gordon Conochie’s book amounts to perhaps the most detailed autopsy yet of the death of Cambodia’s democracy.
The poet Kyi Zaw Aye once asked, “How can we encounter true love in times of war?” Since the 2021 coup in Myanmar, some couples have been trying to find their own answers.
As the forest and the tiger vanish, the myths that enchant them evolve and find their way into other vernaculars beyond folklore and popular beliefs.
Decades after the end of Suharto’s New Order regime in Indonesia, a collective nostalgia for the supposed ‘good old days’—driven by historical revisionism and propaganda—is influencing contemporary Indonesian politics.
The destruction wrought by Typhoon Haiyan will never be forgotten by Filipinos—even if some valuable lessons still haven’t been learned a decade later.
A short story by Lý Văn Sâm, translated from Vietnamese by Ryan Nelson and Khanh Hoa Le.
A piece of flash fiction by Linda Collins and Noelle Q. de Jesus. Commissioned as part of a collaboration between RMIT’s nonfiction/lab and Mekong Review.
The arts can remind us of our connections to home and nature as we are propelled forward by development projects that prioritise profit over nurturing rootedness and well-being.
In short vignettes, Y-Dang Troeung gives a compelling account of the journey which brought her family from Cambodia’s Kampong Thom to white rural Canada, beyond the feel-good newspaper headlines.
Bali is home to a thriving community of local artists with international pedigrees, all actively working from the island, opening their studios to visitors and fostering a local art community.
The Second Link curates writing that moves beyond the “exhausted metaphors and dusty tropes” of the longstanding rivalry between Malaysia and Singapore.
Susann Pham’s Vietnam’s Dissidents is a bold piece of empirical work and a welcome and timely addition to the literature on contemporary Vietnam.
Poetry from John Brixter Tino
The twenty-six films screening in Retrospective: Wang Sha & Ye Feng are a testament to the legendary comedians’ breadth both as solo performers and a beloved pair.
bani haykal’s work embodies durational labour, culminating in serial ruminations on topics that keep him awake at night—capitalism, environmental protection, widening inequality divides.
A short story by Marbin Gesher Jay S. Deniega.
Living in Indonesia most of my life, I’ve always felt that I might be visibly ‘too Chinese’. In fact, Indonesia’s tricky relationship with its ethnic Chinese population began all the way back to the Dutch occupation.
In Southeast Asia, the short story has perhaps been more significant than the novel: it is portable, more easily translated and it also migrates.
In the two novellas, journeys depart from or hope to return to “an eastern port” (Singapore) but instead they both disappear into the obscurities of the seas.