Goodness worth waiting for

Max Loh

Share:
The Adventures of Sunday Domingo (Feat. Yaya Precy)’. Credit: Julius Villanueva / Difference Engine

DELAY: A Comics Anthology
Edited by Charis Loke and Paolo Chikiamco
Difference Engine: 2025
.
What comes to mind when you hear the word ‘delay’? A disruption to a well-laid plan, or a much needed respite from the seemingly never-ending grind of daily life? This is the theme explored in DELAY: A Comics Anthology, continuing the tradition from publisher Difference Engine’s previous collection, SOUND: A Comics Anthology. Helmed by returning co-editor Charis Loke and Paolo Chikiamco (who’d contributed to SOUND), DELAY features eleven stories by Southeast Asian creators giving the concept their own spin.

If the thought of yet another collection of “Southeast Asian perspectives” elicits a deep, wistful sigh from you, rest assured that you’re not alone. A decade ago, region-based comic anthologies were published rather frequently, such as Flight, an American comics series edited by Kazu Kibushi, and Liquid City, a Southeast Asian offering edited by Sonny Liew and Joyce Sim. Anthologies are a mixed bag by design, a format that showcases works by seasoned veterans alongside fresh creators, allowing readers to discover new voices as they flock to familiar ones. This is both its strength and weakness. I’ve picked up an anthology or two where I struggled to overcome the (visual and written) stylistic choices of some of the works and ended up glossing over them. This, combined with the increased commoditisation of Southeast Asian identities and visual language over the past decade, positions a regionally focused anthology like DELAY in a niche that treads a very fine line between kitschy and genuine. It’s enough to make any well-meaning reader approach it with scepticism and caution.

To read the rest of this article, and to access all Mekong Review content, please subscribe. If you are an existing subscriber, please login to your account to continue reading.

More from Mekong Review

  • Is Tojo Hideki a “Great Man” who single-handedly determined the course of history, or is he merely a character in a bigger story, a reflection of many crashing political and social forces?

  • China has resumed the role that it occupied for most of the last two millennia—until the nineteenth century—as the world’s dominant economic force.

  • I strive to become someone breaking my back to harvest something better. A way to be home with my loved ones.

Previous Article

Waiting it out

Next Article

Glori’s Witness