Single parent, single child
Dan Koh
Both Oasis of Now and Tomorrow Is a Long Time are meditations on love, time and space.
Both Oasis of Now and Tomorrow Is a Long Time are meditations on love, time and space.
Climate activists are still stumped by the question of how to ensure that public power results in real, meaningful change. At the same time, the climate movement is setting its sights further than ever.
What unfolds in Pulp III: An Intimate Inventory of the Banished Book is Shubigi Rao’s documentation of her encounters with texts in varying formats that, at some point in the past, confronted ‘banishment’.
Set in Singapore, catskull is a “neo-noir thriller meets coming-of-age mystery” that explores the violence of the city and the many forms that it takes: physical, racial, institutional.
Noise can be a powerful tool of protest but also healing, its cathartic value directly correlated with its loudness.
What sets Rachel Heng’s historical fiction apart is how she moves beyond this understanding of History (with a capital H) by showing how grand events are mediated by everyday interactions.
In Now You See Us, Balli Kaur Jaswal has created a social world that magnifies the indignities and frustrations of everyday life as a migrant domestic worker in Singapore.
This could be After The Inquiry’s intention: to rile us up and stir a sense of indignation at a system in which the truth might not win out over politics and power
Could distance runner Soh Rui Yong’s absence from Singapore’s national team point to something bigger about how things work? He thinks this could be a “good opportunity” to ask questions.
What Philip J. Stern offers is a reflection on the nature of power—how organisations created to share risks and raise capital for economic activities ended up becoming a dominant force.
Queer Southeast Asia provides a multifaceted mosaic of the region, stretching for all to see the complexities that will always simmer beneath the volume’s name.
In Ajoomma, a Singaporean-South Korean co-production directed by He Shuming, an auntie travels to South Korea to visit the shooting locations of her favourite K-dramas… but gets far more than she’d bargained for.
Eighteen Singaporean poets write with a refreshingly mawkish-free assurance about crises of identity, neo-colonialism, the place of LGBTQ people in society and mummy-daddy issues in New Singapore Poetries, edited by Marylyn Tan and Jee Leong Koh.
Remembrance of indigenous histories and erasure is painful. But to remember politically and ethically, despite the ways memory has been dismissed or commodified, is to be hopeful and future-focused. Nabilah Husna on the power of indigenous memory.
Due to an outward appearance of bloodless harmony, the experience of racism in Singapore is akin to background noise that only minorities can hear. A review of Brown Is Redacted: Reflecting on Race in Singapore, edited by Kristian-Marc James Paul, Mysara Aljaru and Myle Yan Tay.
A profile of Kenny Chan, who worked at Books Kinokuniya from 2001 to 2019. Today, he continues to roam the aisles of the flagship Singapore store, and talks to Toh Ee Ming about his enduring love of reading.
A friendship forged between an essential and non-essential worker.
An interview with Bilahari Kausikan
Alternative lifestyles under the spotlight in Singapore
There is only one place to eat this
The poetry of being somewhere else
A profile of journalist and activist Kirsten Han
A history of modern Singapore
A short story by Eliane Boey
A poem from Jee Leong Koh
The taste of home
A Singaporean banquet
Edmund Wee and Epigram Books
A history of rock ’n’ roll in Singapore
A short story by Ken Kwek
Recalling the hawker stalls of yesteryear
Michael Vatikiotis talks to Kishore Mahbubani about his new book, Has China Won?
A latter-day Baudelaire rambling the streets of Singapore
A critical look at Singaporean society stands the test of time
Theophilus Kwek’s poetry probes the complexities of Singapore’s history
In Singapore, too much love for the country is never enough
A candid look at how hard Singaporeans work just to make ends meet
Covid-19 has put Jeremy Tiang’s play on Arthur Miller’s visit to China on ice
Inspired by Yin C.H.
Singapore’s great divide