China closes the border
Jennifer Eagleton
Why Hong Kong is an identity issue for China
Why Hong Kong is an identity issue for China
The film Spike Lee should have made
Spike Lee’s Da 5 Bloods rolls out the racial cliches
Tiananmen has shown that communist China will do anything to cling onto power. HK is next.
Yangon’s Lim Chin Tsong Palace
In between battles, I tended the garden
Beijing is determined to crush the protests
Why the world should stand up to China’s assault on Hong Kong
An introduction to the May-July issue
How to talk about race in peninsular Malaysia
The overlooked role of irrigation in the destruction of the Mekong River
Exploring the past, the future and the shape of land made with sand
Responding to Benjamin Zawacki’s article
At the end of the day, has the Khmer Rouge Tribunal been pointless?
The winner of the 2020 Epigram Books Fiction Prize writes for his ancestors
Some would prefer to go to Mandalay by plane, boat or bus, but I chose to go by train, like Paul Theroux
On the beaten track in Southeast Asia’s most polluted city
A short story by Pham Duy Khiem, translated by Harry Aveling
Romanising Cantonese in Hong Kong
One country, two systems, many walls
The accidental reporter in Hong Kong
Pham Duy Khiem embodied two cultures in conflict
Grabbing a takeaway in Hanoi
Inspired by the portraits of the deceased
A French fugitive who became a chronicler of Cambodia
A glimpse of 19th century life in the Cambodian capital
Cambodia’s royal palace turns 100
The secret to my success was my grandfather and his Nissan Langley
Malaysia and the art of Charis Loke
The Australian poet Les Murray remembered
Sand, once inexhaustible, is disappearing faster than ever
Moral standards should not depend on public opinion
When reading books was deadly
Thai fighters are once again Kun Khmer’s number-one foil
Five years after the coup, Thais go to the polls
A world music festival in Australia skips Asia
Be wary of Vietnam’s hybrid economic model
Thai universities are no longer places of learning
Tracing the career of Anand Panyarachun
Thailand’s problematic relationship with hip-hop