Flight Plan
Juliette Yu-Ming Lizeray
A comic by Juliette Yu-Ming Lizeray, reflecting on her shifting relationship with hope.
A comic by Juliette Yu-Ming Lizeray, reflecting on her shifting relationship with hope.
Banning books might bring the Malaysian government short-term political gain, but this restriction of access to different perspectives could have serious long-term repercussions.
On not coming to terms with the past in Indonesia.
Dina Zaman brings a lot from her past to Malayland, but she’s also firm in looking forward and seeking the humanness in Malaysia’s obsession for categories and othering.
A historian journeys to České Budějovice in Bohemia in search of the archive of Filipiniana left behind by Ferdinand and Friedrich Blumentritt.
If history is written by the victors, then literature is the rebellion of the defeated.
David Graeber’s notion of “total bureaucratisation” isn’t just a fitting analytical tool for global contemporary life; it also mirrors, with uncanny accuracy, the paradoxes of Singapore’s cultural policy.
A poem from Domar Batucan Recopelacion
Two group shows staged in Bangkok question mainstream Cold War narratives through contemporary art.
Poetry by Aisha Khalid.
When families affected by extrajudicial killings in the Philippines speak and shed tears of sorrow and anger in front of legislators and flashing cameras, they’re finally able to transform shame into outrage.
Khieu Ponnary, once called the “mother” of the Khmer Rouge, had seemingly vanished from history while the regime was at its height.
Forty years after the world’s worst industrial disaster in Bhopal, activists and survivors are still struggling for justice and accountability.
Andrew Lam had never set out to be the preeminent chronicler of the global Vietnamese diaspora, but realised that “when I spoke up for those that couldn’t, I found my tongue”.
Dorothy Wai Sim Lau undertakes a nuanced interrogation of how fame, altruism and regional identity intersect in Asia’s transnational mediascape.
Rebecca Toh, the founder of Casual Poet Library, on carefree wandering and taking one’s time.
Publishing in Cambodia is still a fledgling, fragile industry, but it’s growing fast.
A review of two books on finding—or perhaps ‘freeing’ is a better word—one’s voice through acts of creation, whether it’s prose, poetry, painting, drawing or cooking.
You Must Take Part in Revolution combines powerful imagery with a compelling plot to convey the political turmoil we’ve experienced and might face in the near future.
“Apart from illustrating how invested the authorities still are in shaping the official story of Vietnam’s wars of liberation, my experience at Thế Giới also revealed an almost religious faith in the power of the written word.”
Did the man who inspired a character in Joseph Conrad’s novels leave behind a fortune in a Swiss bank?
While the voices and expressions in Chinese rock have come from Chinese musicians, outsiders have consistently injected know-how and resources into the country’s marginalised underground musical movements.
In a new banner by Taring Padi and Noongar artists, the Noongar figures and Australian fauna and flora integrate with images from an rebellious Indonesian proletarian class in a bold synthesis, creating a dream-like, political logic.
Despite tofu’s lack of structural integrity, Russell Thomas notes that its versatility has given it the resilience to “stand up in a range of figurative and real-life settings”.
Luise Ahrens, a Maryknoll nun and education innovator from the US, worked with seismic stamina for twenty-six years to build up higher education in Cambodia.
Young people from Myanmar are being forced to choose between survival and service in a conflict they had no say in and strongly object to.
Kornel Chang, a diasporic Korean historian and author, paints a picture of a post-Second World War Korea searching for a singular vision of what independence looks like.
A short story by Lia Tjokro.
Simin Li’s book is a reminder that continuing assertions about the singularity of Chinese culture and politics belie the pluralism and diversity of the Sinophone tradition.
Shifting Horizons: The Generation of Emancipatory Architecture in Taiwan is a unique exhibition including the many aspects that make up architectural production and attempting to locate the formation of contemporary Taiwanese architecture.
Ava Chin’s memoir is a story of roots dismissed and homes denied.
A poem from Julienne Maui Castelo Mangawang
Nature provides expressive backdrops for Han Kang’s fiction; while she chronicles human frailty and barbarity, she also allows the light to seep in through the foliage.
Among a post-Tiananmen flurry of activity, Gilbert & George, the British duo who’d been a dominant force in the UK’s 1980s art scene, made a trail to China and inspired many looking to break free of their constraints.
How does one save the world against evil with little more than one’s own imagination? When faced with hopeless nonsense from the political leadership, what can one do with their writing?
Singaporean actor Lim Kay Siu on the differences between acting in Hollywood and in Singapore, the power of theatre to raise public awareness of important issues, and getting political on live streams while playing a ukulele.
We’re all just finding ways to relieve the anxieties of living in a world that’s spinning out of control.
Through their exposure in front of the camera—as well as their work behind it—the faces and bodies of Kashmiri women not only become visible but also assert themselves on their own terms.
Walking through a new exhibition on national security in the Hong Kong Museum of History.
Scenes and reflections from Bohol.