Piecing together broken light

Siddharth Dasgupta

Share:

Photo: David Vig

Everything the Light Touches
Janice Pariat
HarperVia: 2022
.
In the paintings of the seventeenth-century Dutch master Johannes Vermeer, character, setting and narrative almost appear incidental. What’s crucial is the light. It’s light that is often no more than a suggestion, a mellow afterglow of everyday life rendered mystical in the presence of a gently dabbed aura. It’s this light that orchestrates scenes in works that have endured over the centuries: ‘A Maid Asleep’, ‘Girl Reading a Letter at an Open Window’, ‘The Milkmaid’ and many others.

I’m reminded of the same light while reading novelist Janice Pariat’s latest book, Everything the Light Touches. But while Vermeer’s light existed in the depiction of mostly indoor spaces and unremarkable domestic episodes, Pariat chooses to manifest hers across a ricocheting canvas that crisscrosses eras, characters in history, decisive philosophies in botany and momentous voyages.

To read the rest of this article, and to access all Mekong Review content, please subscribe. If you are an existing subscriber, please login to your account to continue reading.

 

More from Mekong Review

  • Impermanence as a permanent condition

  • A poem from Maung Day

  • Not only did the promise of “Naya Pakistan” never materialise, the country is actually much worse off today.

Previous Article

Apathy and nonchalance

Next Article

Fill in the blank